Silver treasures from Bergen come to Houston

“Crowning the North” exhibit explores the evolution of a craft


Photo: Dag Fosse, Kode Bergen Art Museum
Bridal Crown, 1590–1610, silver and silver-gilt, Christen Sveaas Collection, Kode Bergen Art Museum, Bergen Silver Foundation.

Museum of Fine Arts, Houston

“Crowning the North: Silver Treasures from Bergen, Norway” opened at the Museum of Fine Arts, Houston, Feb. 11, 2024. Some 200 objects are on exclusive loan to the United States from Norwegian collections. Spanning the 16th to the early 20th centuries, the exhibition reveals the evolution of a uniquely Norwegian approach to this craft over centuries of global change.

For centuries, Bergen, one of the largest port cities in Scandinavia, was a thriving hub of global commerce on the west cost of Norway, with a burgeoning export of fish, timber, and fur. That trade, in turn, spurred the development of a uniquely Norwegian approach to a timeless craft: gold and silversmithing.

The exhibition “Crowning the North: Silver Treasures” from Bergen, Norway explores the art of the Bergen silversmiths from the 16th to early 20th centuries, and examines the evolution of the craft against the backdrop of greater political, social, and economic change in Norway and other parts of the world.

Some 200 objects—from spoons, tankards, sugar bowls and salt cellars to elaborate ceremonial wedding crowns and fantastical vessels—are on exclusive loan to the United States from public and private Norwegian collections.

The exhibit is comprised of objects from Kode Bergen Art Museum, The Bergen University Museum, and the private collection of Norwegian collector Christen Sveaas.

“This presentation of objects from three prestigious Norwegian collections of art, craft, and design is an exceptional opportunity to discover Nordic history and esthetics across centuries and across the intersecting forces of global trade, taste, and fashion,” commented Gary Tinterow, director and Margaret Alkek Williams chair at the Museum of Fine Arts, Houston (MFAH).

“We are pleased to collaborate with the Kode Bergen Art Museum in bringing Marius Hammer, these remarkable objects to Houston, where they will be seen by U.S. audiences for the first time.”

By the 16th century, Bergen had become a critically important global economic center in the trade of grain and salts for lumber and stock fish from the North. At the time ruled by Denmark, Bergen and its commerce operated under the jurisdiction of the Hanseatic League, a confederation of merchant guilds and market towns across central and northern Europe established by German traders in the 13th century.

The Hanseatic League’s dominant global exchange network brought together two factors that fostered what would become a unique artistic heritage in Bergen: the availability of enormous quantities of silver mined from the Spanish Americas, and an influx of immigrants and their craft traditions from Germany and other European countries.

Bergen goldsmiths formed their own Goldsmith’s Guild in 1568. The goldsmith tradition that evolved in the city allowed goldsmith workshops, led by both men and women, to craft a range of decorative and functional objects of extraordinary quality. Bergen goldsmiths’ sensibilities in the 16th century reflected the Renaissance and, later, Baroque styles of the time.

Over the course of the 18th century, the influx of global commodities like tobacco and coffee from European colonies inspired goldsmiths to craft elegant objects for daily use to meet consumer demand. By the 19th century, with the excavations of three Viking ships and agitation for independence from Sweden, a growing sense of revivalism in art, literature, and popular culture inspired Norway’s goldsmiths to create fantastical objects harkening back to the Viking and medieval eras.

For centuries, with no banking system in place until 1816 following Norway’s union with Sweden in 1814, these silver and gold items—spoons, tankards, sugar bowls, and salt cellars, along with ceremonial objects such as brides’ wedding crowns—also functioned as a means of building personal wealth.

Photo: Dag Fosse, Kode Bergen Art Museum
Marius Hammer, Viking Dragon Boat, c. 1900, silver and enamel, Kode Bergen Art Museum, Bergen Silver Foundation.

The exhibition will highlight the work of several of Bergen’s legendary master goldsmiths.

Jan Reimers (1610—1670) established a family dynasty that would have an impact on the craft for generations. His magnificent Welcome Cup for the Bergen Baker’s Guild (1661) demonstrates a masterful fusion of the Renaissance and Baroque styles, highlighting the importance of craft guilds within the city power structure.

A pair of exuberant candelabra by the famed goldsmith Jens Kahrs (1712-1781) reflects a masterful execution of the Rococo style.

Marius Hammer (1847-1927) is known primarily for his popular enameled objects, which were broadly exported. His pair of whimsical plique-à-jour enamel “Dragon Boat” bowls, modeled after a Viking longship, was produced for the growing tourist market in Norway.

Unique to the exhibition are several extravagant bridal crowns. These ornamental crowns originated in the late Middle Ages and were often kept by the village church to lend to generations of brides for the wedding day.

“Crowning the North: Silver Treasures from Bergen, Norway,” was organized by MFAH in collaboration with Kode Bergen Art Museum, Norway. Generous support was provided by Beth Robertson, Sara Dodd-Denton, and Will Denton.

About Kode Bergen Art Museum

Kode Bergen Art Museum is one of the largest museums for art, crafts, design, and music in the Nordic region.

Kode offers a unique combination of art museums and composers’ homes, showcasing contemporary art, historical collections, concerts, and park lands. The museum stewards over 50,000 objects, including paintings, works on paper, sculptures, installations, videos, musical instruments, furniture, textile, ceramics, glass, and metal.

These objects can be experienced in four different neighboring art museums in the heart of Bergen and the three beautifully located homes of the composers Ole Bull, Harald Sæverud, and Edvard Grieg.

About the Museum of Fine Arts, Houston

Spanning 14 acres in the heart of Houston’s Museum District, the Fayez S. Sarofim Campus of the MFAH comprises the Audrey Jones Beck Building, the Caroline Wiess Law Building, the Nancy and Rich Kinder Building, and the Lillie and Hugh Roy Cullen Sculpture Garden.

Nearby, two house museums—Bayou Bend Collection and Gardens, and Rienzi—present collections of American and European decorative arts.

MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools, as well as the International Center for the Arts of the Americas.

Photo: Museum of Fine Arts, Houston
The Museum of Fine Arts, Houston is among the 10 largest art museums in the United States, with an encyclopedic collection of more than 65,000 works of art.

For more information about the MFAH exhibit, visit:

Learn more about the Kode Bergen Art Museum at

This article originally appeared in the March 2024 issue of The Norwegian American.

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The Norwegian American

The Norwegian American is North America's oldest and only Norwegian newspaper, published since May 17, 1889.